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Artist Information |
Värttinä
Värttinä's style, stemming from the women's singing traditions of Finno-Ugric tribes of the east (including Karelia, Setu, Mari Republic, Ingria, Mordva and others), adds an explosive spirit of honest joy and creative energy to close-knit harmonies. As fiddler Kari Reiman explains, "Värttinä's harmonies are a combination of many styles, with our own ideas added in." These traditional harmonies may seem strange to western ears, but Värttinä's presentation makes assimilation to this complex style pleasurably easy. The original or adapted compositions run the gamut of emotions, from the sinister drama of songs like "Äijö," a traditionally based piece which tells of a crazy old man who casts a spell on a poisonous viper, to the high-spirited dance music of "Laulutyttö" and the exaltations of a young girl born to sing, to the gentle lullaby of "Milja." The evolution of Värttinä is almost as fascinating as their music. In 1983, a small group of girls in the Karelia region of Eastern Finland, led by sisters Sari and Mari Kaasinen, begun to recite and sing old Karelian traditional poetry and songs. "People were always asking my mother for some kind of performances from (my sister and me) because everyone knew we liked to sing," says Mari, who started studying fiddle, accordion, and kantele (the folk zither that is regarded as Finland's national instrument) at the age of four. Mari, together with her sister and two cousins, formed a small band that developed into Värttinä. Mari explains, "when we started singing and plyaing kantele, almost every girl in Raakkyla wanted to join, so by 1985 we had 21 members." Added to the tradition folk music of Karelia were modern instruments like accordion, saxophone, double bass and guitar. In addition, tired of simple recitation and ordinary singing, the vocalists developed their more aggressive and powerful style. The entire provocative concept was new to folk music and to Finland, and Värttinä rapidly gained national recognition. After six years of remarkable domestic success, including two albums and several tours, the mature Värttinä downsized to four female vocalists and six male musicians, including some of Finland's top rock, bluegrass, and Celtic players. At this point, the band added sources to their mainly reki repertoire (developed in the 17th century and found on their certified platinum album Oi Dai), including runo (an older style common until the 17th century), Swedish, American, and Russian folk music, and Finno-Ugric music, which influences most of their compositions today. Since then, Värttinä has progressed and evolved to greater heights of sophistication and skill, with original compostions (based on traditional styles and elements) more elaborate arrangements and instrumentation. Subsequent albums Seleniko and Aitara brought them international acclaim including foreign license deals and numerous tours and concerts. Personnel changes have occurred over the years, including departure of founder Sari Kaasinen in 1996, but each change brings new vitality and creative energy to the band and results in each album being superior to the previous. Today, three original members remain in the Värttinä line-up. Värttinä's sixth album Kokko, released globally on the Nonesuch label and their seventh album Vihma released by Wicklow/BMG, were their first two ventures into the exploration of Karelian runo songs. Runos are ancient sung verses with a particular repetitive, alliterative style and there are literally thousands in Karelian folklore. Runo texts and imagery gave Värttinä greater depth and emotion to their music, inspired even more imaginative compositions and arrangements and propelled them to the peak of their creativity. Värttina's year 2001 album Ilmatar, produced by Frenchman Hughes de Courson, is unanimously acclaimed as the pinnacle of their career, featuring the most complex and dynamic vocals yet, their most adventurous compositions to date, extensive and effective use of percussion and a spacious production that allows the music to breathe like never before. Värttinä remains almost entirely acoustic yet manages to make music that is as compelling and uplifting as any electric band. They are dedicated to exploring their own creativity with Karelian and Finno-Ugric tradition as the roots source and their collective skills and imagination as the vehicle for contemporary expression. VÄRTTINÄ is:
The Old Värttinä (1983-1989)1983-1986 Minna Haikola (vocal, violin)1983-1987 Terhi Hirvonen (vocal, 5-string kantele) 1983-1989 Mari Kaasinen (vocal) 1983-1989 Sari Kaasinen (vocal, kantele, 2-row accordion) 1985-1989 Jussi Kaasinen (vocal, 5-string kantele) 1983-1989 Kirsi Kähkönen (vocal) 1983-1989 Janne Lappalainen (bouzouki, wind instruments) 1983-1989 Pauliina Luukkanen (vocal, violin) 1985-1989 Johanna Logren (vocal, 5-row accordion) 1985-1989 Tuomas Logren (vocal, 5-string kantele, trumpet) 1983-1989 Nina Mononen (vocal, 10-string kantele) 1983-1989 Heidi Pakarinen (vocal, 10-string kantele) 1985-1987 Matleena Pekkanen (vocal, 10-string kantele) 1988-1989 Nikko Prauda (bodhran, percussion) 1983-1989 Minna Rautianen (vocal) 1983-1989 Sari Tyynelä (vocal, 10-string kantele) 1985-1989 Olli Varis (mandolin) 1985-1989 Tapani Varis (bass, jouhikko) 1983-1989 Jaana Vänskä (vocal, 10-string kantele) 1985-1989 Saija Vänskä (vocal, 10-string kantele) The New Värttinä (1989-)VOCAL1998- Susan Aho 1989-1996 Sari Kaasinen 1989- Mari Kaasinen 1989-2002 Kirsi Kähkönen 1989-1992 Minna Rautianen 1989-1999 Sirpa Reiman 1999-2001 Riikka Timonen (Väyrynen) 2001- Johanna Virtanen GUITAR 1992-1993 Reijo Heiskanen 1993- Antto Varilo 1989-1992 Tommi Viksten MANDOCELLO 1989-1990 Petri Hakala ACCORDION 1997-1998 Susan Aho 1989-1990 Maria Kalaniemi 1990-1997 Riitta Kossi (Potinoja) 1998- Markku Lepistö Discography
1987: Värttinä / The First Album Warner Finlandia (Finland)0630-18062-2 Management: Phillip Page / Hoedown, Laivurinrinne 2, 00120 Helsinki, Finland ph: 358 9 6224804, fax: 358 9 628950, pap@hoedown.com Värttinä website: www.varttina.com
© 2002 East Side, Inc. |
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